taina-pio

Tainá Pio

I aim to listen, translate and celebrate in any production (graphic, product or service) the desires, knowledge and flows of those involved - understanding the need to understand objects, materials and systems beyond their practical, utilitarian and economic meanings. I hope (always with other actors) to find, in each case, the tone of voice that is understood, useful and that resonates. I wish to reflect, articulate and provoke contact, exchange and movement between people, objects, spaces, times and elements and, through the concepts attached to the compositions and solutions, other possibilities of the world.-Graduated in graphic design from the British School of Creative Arts (EBAC) in 2020 and currently studying product and service design at the Instituto Europeo di Design (IED), worked as an assistant for Julio Mariutti at Estúdio Lógos and at São Paulo&rsquo;s city hall.-contact at contato@tainapio.com

I aim to listen, translate and celebrate in any production (graphic, product or service) the desires, knowledge and flows of those involved - understanding the need to understand objects, materials and systems beyond their practical, utilitarian and economic meanings. I hope (always with other actors) to find, in each case, the tone of voice that is understood, useful and that resonates.&nbsp;I wish to reflect, articulate and provoke contact, exchange and movement between people, objects, spaces, times and elements and, through the concepts attached to the compositions and solutions, other possibilities of the world.-Graduated in graphic design from the British School of Creative Arts (EBAC) in 2020 and currently studying product and service design at the Instituto Europeo di Design (IED), worked as an assistant for Julio Mariutti at Est&uacute;dio L&oacute;gos and at S&atilde;o Paulo&rsquo;s city hall.-contact at contato@tainapio.com

I aim to listen, translate and celebrate in any production (graphic, product or service) the desires, knowledge and flows of those involved - understanding the need to understand objects, materials and systems beyond their practical, utilitarian and economic meanings. I hope (always with other actors) to find, in each case, the tone of voice that is understood, useful and that resonates. I wish to reflect, articulate and provoke contact, exchange and movement between people, objects, spaces, times and elements and, through the concepts attached to the compositions and solutions, other possibilities of the world.-Graduated in graphic design from the British School of Creative Arts (EBAC) in 2020 and currently studying product and service design at the Instituto Europeo di Design (IED), worked as an assistant for Julio Mariutti at Estúdio Lógos and at São Paulo’s city hall.-contact at contato@tainapio.com

luis-bovo

Luis

Experimental publication A2 publication was a partnership with the company Fedrigoni. It aims to highlight the medium - paper -...

<h2>Experimental publication</h2>A2 publication was a partnership with the company Fedrigoni. It aims to highlight the medium - paper - through the format chosen: a square base with triangle-rectangular pages, which can be folded and rotated and, then, reveal the subsequent pages. The content - triangles silkscreened in red when open and in blue when closed - was determined based on the choice of the format, so that the movement of the pages (fold / turn) results in a multitude of combinations that could also express the multiplicity of reading.The notion that the viewer should be shifted from the place of viewer to an active dimension, of creator / transformer of the work and of reality through manipulation, was fundamental to the development of the project.

Hexaflexagon WINNER BRONZE IDA AWARDS 2022 Publication developed to bring up notions of relationship and connection, to...

<h2>Hexaflexagon</h2>WINNER BRONZE IDA AWARDS 2022Publication developed to bring up notions of relationship and connection, to interconnect and signify, in a tactile way, the meanings of the texts presented: an object-book or multi-object made / built in the geometric structure of an hexaflexagon. It intends to explain the reader function, who acts on the text without even realizing it - making the text effectively transformable by the reader who is now no longer just a reader but also a manipulator; the audience is, then, repositioned from the position of viewer to an active dimension: of creator / transformer of the piece. It seeks to highlight, through the arrangement and rearrangement of texts and graphics, the manipulation of meanings - and to question which interpretations may arise from these combinations. In this project, texts were chosen, from different authors from different contexts and with different experiences (mathematics, medicine, literature), about a structuring principle, a common topic: knowledge as an interchangeable factor, of the networks, that no idea is never a beginning or an end, but a fragment, and that we are lucky enough to be able to participate in the indescribable beauty that is the encounter and combination of things.<a href="https://vimeo.com/410004599">Vimeo</a> <a href="https://www.idesignawards.com/winners/zoom.php?eid=9-42529-22">International Design Awards</a>

<h2>Hexaflexagon</h2>WINNER BRONZE IDA AWARDS 2022Publication developed to bring up notions of relationship and connection, to interconnect and signify, in a tactile way, the meanings of the texts presented: an object-book or multi-object made / built in the geometric structure of an hexaflexagon. It intends to explain the reader function, who acts on the text without even realizing it - making the text effectively transformable by the reader who is now no longer just a reader but also a manipulator; the audience is, then, repositioned from the position of viewer to an active dimension: of creator / transformer of the piece. It seeks to highlight, through the arrangement and rearrangement of texts and graphics, the manipulation of meanings - and to question which interpretations may arise from these combinations. In this project, texts were chosen, from different authors from different contexts and with different experiences (mathematics, medicine, literature), about a structuring principle, a common topic: knowledge as an interchangeable factor, of the networks, that no idea is never a beginning or an end, but a fragment, and that we are lucky enough to be able to participate in the indescribable beauty that is the encounter and combination of things.<a href="https://vimeo.com/410004599">Vimeo</a> <a href="https://www.idesignawards.com/winners/zoom.php?eid=9-42529-22">International Design Awards</a>

That's all Proposals that began with the recognition of an everyday and contemporary latent dynamic, noticed during a walking...

<h2>That&rsquo;s all</h2>Proposals that began with the recognition of an everyday and contemporary latent dynamic, noticed during a walking exercise in the city. The central issue identified for the research and development of the project were the standards and habits that are not questioned but followed, accepted: standing in line, not getting too close to the next person, smiling when thanking. Based on these questionings, the following items were developed:1. intervention - allows exchange between the public and the actor / researcher, as a way of showing the written thought but also putting it to the test, in shock with public unpredictability - a line on the bridge that connects ibirapuera to mam;2. video arising from the results obtained from the recordings of the intervention. In this video, repetitive graphic and sound elements were included in post edition to reveal and question the naturalized codes of conduct (<a href="https://vimeo.com/362990342">https://vimeo.com/362990342</a>);3. A2 publication that aims at, through a seamless shape with fitting pieces and cut sheets, a more active relationship with the reader and freer interaction between contents: graphics arising from the notion of loyalty and norm; experiences, images and speeches arising from field research and interventions; and excerpts from Brazilian songs that announce an obedient and exhausted daily life.Produced in partnership with Marina Cappa and with the support of the design studio Bijari.

<h2>That’s all</h2>Proposals that began with the recognition of an everyday and contemporary latent dynamic, noticed during a walking exercise in the city. The central issue identified for the research and development of the project were the standards and habits that are not questioned but followed, accepted: standing in line, not getting too close to the next person, smiling when thanking. Based on these questionings, the following items were developed:1. intervention - allows exchange between the public and the actor / researcher, as a way of showing the written thought but also putting it to the test, in shock with public unpredictability - a line on the bridge that connects ibirapuera to mam;2. video arising from the results obtained from the recordings of the intervention. In this video, repetitive graphic and sound elements were included in post edition to reveal and question the naturalized codes of conduct (<a href="https://vimeo.com/362990342">https://vimeo.com/362990342</a>);3. A2 publication that aims at, through a seamless shape with fitting pieces and cut sheets, a more active relationship with the reader and freer interaction between contents: graphics arising from the notion of loyalty and norm; experiences, images and speeches arising from field research and interventions; and excerpts from Brazilian songs that announce an obedient and exhausted daily life.Produced in partnership with Marina Cappa and with the support of the design studio Bijari.

Astronomical calendar

 By the end of 2019, a calendar for digital and print media was created and programmed...

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Astronomical calendar

</h2>By the end of 2019, a calendar for digital and print media was created and programmed (<a href="https://juliomariutti.com/work/calendars-and-clocks">juliomariutti.com/work/calendars-and-clocks</a>).In digital, mouse scrolling moves the viewer along the north-south axis. Represents: White triangle: Sun (focusing on the earth, making it possible to see where it is day and night); Gray cross: 4 phases of the Moon; Colored lines: Solstices and equinoxes (clicking leads to these dates).The printed poster was based on the scale of the stars. Represent/are in place: Thin lines: sun direction on dates and full/new moons; Thick lines: seasons; Earth: in the center; Sun: perimeter or dates; Moon: at the end of the colored lines.Made in collaboration with Est&uacute;dio Logos (Julio Mariutti), La&iacute;ssa Moreira and Pedro Fabra.

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Astronomical calendar

</h2>By the end of 2019, a calendar for digital and print media was created and programmed (<a href="https://juliomariutti.com/work/calendars-and-clocks">juliomariutti.com/work/calendars-and-clocks</a>).In digital, mouse scrolling moves the viewer along the north-south axis. Represents: White triangle: Sun (focusing on the earth, making it possible to see where it is day and night); Gray cross: 4 phases of the Moon; Colored lines: Solstices and equinoxes (clicking leads to these dates).The printed poster was based on the scale of the stars. Represent/are in place: Thin lines: sun direction on dates and full/new moons; Thick lines: seasons; Earth: in the center; Sun: perimeter or dates; Moon: at the end of the colored lines.Made in collaboration with Estúdio Logos (Julio Mariutti), Laíssa Moreira and Pedro Fabra.

Grupo Rumo Band Proposal for visual identity for the musical group Rumo in an exhibition. The arrow element, indicating...

<h2>Grupo Rumo Band</h2>Proposal for visual identity for the musical group Rumo in an exhibition. The arrow element, indicating direction / course, as well as the possibility of interaction and its similarity to the act of playing were obtained from a synthesis of the group&rsquo;s productions and were considered as central elements for the organization of the project.Two silkscreened graphic pieces were made: invitation in the Pacman format, with information about the exhibition on the sides and the name of the band inside; and a game that generates the arrow of the visual identity proposed in several different ways through pieces of music.

<h2>Grupo Rumo Band</h2>Proposal for visual identity for the musical group Rumo in an exhibition. The arrow element, indicating direction / course, as well as the possibility of interaction and its similarity to the act of playing were obtained from a synthesis of the group’s productions and were considered as central elements for the organization of the project.Two silkscreened graphic pieces were made: invitation in the Pacman format, with information about the exhibition on the sides and the name of the band inside; and a game that generates the arrow of the visual identity proposed in several different ways through pieces of music.

Brazil 200 Website: brazil200.brazilchamber.no This case is aimed at the BNCC community, entrepreneurs, the Brazilian community...

<h2>Brazil 200</h2>Website: brazil200.brazilchamber.noThis case is aimed at the BNCC community, entrepreneurs, the Brazilian community in Oslo, students and the business ecosystem in Norway, and intends to boost business connection, networking, art and culture.It shows how rich and diverse Brazilian culture is - with its art, dance, cuisine, music, business, tourism, social, environment, sport and fashion - in an elegant, clean, dynamic, sustainable and fresh way, also presenting the artist Alfredo Andersen, who was an important link between Brazil and Norway.Seeking to highlight the connection between Brazil and Norway, shape the 200 years of independence of Brazil and design areas and spaces for information; a visual identity composed of radial lines forming a 200 degree fan was elaborated, meaning through:1. Concentric lines: connection with Norway; business, networking, arts and culture; 2. The degrees: the 200th anniversary of Brazil&rsquo;s independence; 3. The range: the various connections and possibilities between Brazil and Norway; 4. The space between lines: possibility of inserting images, such as those of the main artist and speakers; 5. Title texts and workshops: aligned with the upper and lower angle of the fan, they open and close the event, creating spaces for images and showing the variety of programs within the event; 6. The headline text: aligned with an internal angle of the &ldquo;fan&rdquo;, explaining the content of the event, generating dynamism. 7. The animation of the logo: the growing expansion of bilateral connections between Brazil and Norway.

<h2>Brazil 200</h2>Website: brazil200.brazilchamber.noThis case is aimed at the BNCC community, entrepreneurs, the Brazilian community in Oslo, students and the business ecosystem in Norway, and intends to boost business connection, networking, art and culture.It shows how rich and diverse Brazilian culture is - with its art, dance, cuisine, music, business, tourism, social, environment, sport and fashion - in an elegant, clean, dynamic, sustainable and fresh way, also presenting the artist Alfredo Andersen, who was an important link between Brazil and Norway.Seeking to highlight the connection between Brazil and Norway, shape the 200 years of independence of Brazil and design areas and spaces for information; a visual identity composed of radial lines forming a 200 degree fan was elaborated, meaning through:1. Concentric lines: connection with Norway; business, networking, arts and culture; 2. The degrees: the 200th anniversary of Brazil’s independence; 3. The range: the various connections and possibilities between Brazil and Norway; 4. The space between lines: possibility of inserting images, such as those of the main artist and speakers; 5. Title texts and workshops: aligned with the upper and lower angle of the fan, they open and close the event, creating spaces for images and showing the variety of programs within the event; 6. The headline text: aligned with an internal angle of the “fan”, explaining the content of the event, generating dynamism. 7. The animation of the logo: the growing expansion of bilateral connections between Brazil and Norway.

Obsolete object This project comprises a theoretical text, followed by the transformation of its central thoughts and concepts...

<h2>Obsolete object</h2>This project comprises a theoretical text, followed by the transformation of its central thoughts and concepts into physical forms capable of occupying an exhibition space. It seeks to understand and discuss the role of objects considering, as a starting point, some of them (match, coin, stamp/ticket, clock) that seem to be more continuous and resilient than others, exploring a state of permanence and conservatism that explains our social constitution in a more precise manner than rupture could, since the latter usually does not last long.Its purpose is to create a metaphor with social subjects and objects through new objects, so as to discuss: the extent to which they can be hyper-consumable or ignored by the market; if they are acceptable or unacceptable in certain temporal and cultural contexts; if they reveal in an explicit way their forms of production; how they behave in public and private spheres. As a summary exercise, a publication was produced with the text and a series of ready-mades intended to, by means of some recontextualization/update, make the implicit layers of the four objects described explicit, that is, announce the particular feeling with which we identify ourselves, without noticing, with their auras.

Democracy

 Project made as an intern at Estúdio Logos.

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Democracy

</h2>Project made as an intern at Est&uacute;dio Logos.

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Democracy

</h2>Project made as an intern at Estúdio Logos.

Oscar Niemeyer: life and geniality Project made as an intern at Estúdio Logos.

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Oscar Niemeyer: life and geniality</h2>Project made as an intern at Est&uacute;dio Logos.

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Oscar Niemeyer: life and geniality</h2>Project made as an intern at Estúdio Logos.

Oscar Niemeyer

 Project made as an intern at Estúdio Logos.

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Oscar Niemeyer

</h2>Project made as an intern at Est&uacute;dio Logos.

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Oscar Niemeyer

</h2>Project made as an intern at Estúdio Logos.

São Paulo from above

 Project made as an intern at Estúdio Logos.

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S&atilde;o Paulo from above

</h2>Project made as an intern at Est&uacute;dio Logos.

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São Paulo from above

</h2>Project made as an intern at Estúdio Logos.

Framed Rio de Janeiro Project made as an intern at Estúdio Logos.

<h2>Framed Rio de Janeiro</h2>Project made as an intern at Est&uacute;dio Logos.

<h2>Framed Rio de Janeiro</h2>Project made as an intern at Estúdio Logos.

Tainá Pio

No projects found.